Wednesday, April 22, 2015

Writing about My Needlepoint Portrait of Catherine the Great

For some time now on my website, I have been writing lessons for beginners, intermediates and advancing students of needlepoint. The beginners' lessons and the intermediates have been more or less predictable sorts of lessons, particularly for beginners.

Then I arrived at the lessons for advancing students. There's so much I could write but I chose to write about the decisions I've made for stitching my needlepoint portraits. In some ways these lessons are so basic in that they refer to very basic stitches. That's too true, but what I do with those basic stitches has taken a bit more thought and the lessons aren't quite so basic. It's been an interesting exercise.

Now I am almost to the end of the series for the time being. I have the penultimate lesson called, of all things, 'Advanced Continental Stitch. I posted it this morning, it will stay up for tomorrow and then I will post my last lesson for now, called 'Painterly Needlepoint'. It is for me my most interesting lesson because it explains how I arrived at the way I decided to do portraits.

If you would like to read the lessons, here's a quick reference:

After 'Painterly Needlepoint' it will be time to close down lessons and start preparing Queendom Website for the arrival of my portrait of Catherine the Great. In doing so I've enlisted the help of my husband and he's been writing short articles on Catherine the Great. If you follow along you will find a new one every other morning once my lessons end.

In addition, I've been writing my own snippets called 'Factoids about My Catherine'. Essentially they tell some tales about my stitching Catherine, how large she is, how many pearls she has, and in a few days I will start posting photos and descriptions of the kit contents.

Catherine will arrive on Saturday morning, May 2. Actually she will arrive as close to midnight on May 1 as MacSoph and I can stay awake.

I hope you will join us for the festivities celebrating the arrival of this piece which has been my most industrious undertaking in the last 5 to 6 years.

Gay Ann

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